The Agora is the free editorial space, unshackled from the strict formatting of technical guides. It is here that critical analysis truly breathes. Through mood pieces and engaged editorials, we challenge the drifts, false promises, and well-founded hopes of the AI revolution. From the role of the press map to the era of post-truth, and through philosophical reflections drawn from foundational conceptual works, this space is dedicated to vigorous debate and unyielding intellect.
Introduction — Automated suspicion Since ChatGPT arrived in late 2022, one question has spread through classrooms, universities, newsrooms, publishing houses and businesses: how can anyone distinguish a text written by a person from one produced, transformed …
Terminator 2: Where Science Fiction Meets Research Released in 1991, James Cameron’s Terminator 2: Judgment Day left a lasting mark on the public imagination through its humanoid machines, unnervingly precise …
Introduction: The Crumbling of Empirical Evidence in the Synthetic Era The emergence of content generation technologies driven by artificial intelligence marks a pivotal turning point in the fabrication of public …
David Drake: The Return of Two Jars Revives the Debate on Art Ownership and Historical Memory The transfer of ownership of two ceramic vessels by David Drake to his descendants, announced by the Milwaukee Art Museum in …